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Ladies Own the Night: the Late Night

November 20th, 2009 by Jocelyn Matsuo Asst Video Editor

Each week, Hulu’s video editor, Jocelyn Matsuo, shares her latest finds from the Hulu vault.

The other day, I met Chelsea Handler and Chuy Bravo. Jealous? You ought to be. Chelsea Lately is apparently the choice late-night show. ¹

This funny gal kept it seriously real on Carrie Prejean’s interview on The Today Show.

¹According to the 2009 Teen Choice Awards²
²According to Wikipedia

I’d also like to give some play to a Saturday night newcomer, Wanda Sykes, whose show, The Wanda Sykes Show, airs Saturday nights. I thoroughly enjoyed it at a time when people actually watch TV, Monday afternoon. Check out the round table at the end and play along with “Know Your Asians” (at 35:29) in her “Inappropriate Games” segment.

Jocelyn Matsuo ()
Video Editor

“Glee” Does Ballads

November 19th, 2009 by Rebecca Harper Editor

This week on Glee, we met the parents — Quinn’s, that is — and learned that Broadway hopeful Rachel could be one crazy stalker, but definitely not that craziest. That honor goes to Sarah Pepper (guest star Sarah Drew, Everwood), who went to drastic measures to get Mr. Schuester’s attention. (Spoiler:) Meanwhile, two of the glee club-football crossovers spilled the beans about Quinn’s baby. It was one roller coaster of a week. Fortunately, Mr. Schuester told the gleeks to focus on ballad selections for sectionals — after all, what better way to deal with all those emotions? As of this morning, four of last night’s tracks made iTunes Top 20 list. Below, Hulu puts these chart-climbing singles into context. — Rebecca Harper (), Editor

No. 12: Lean on Me
What’s a high school drama without a rendition of “Lean on Me?” When the gleeks decided to rally about the troubled couple, they chose a cheerful, gospel-twinged version of the standard to let Finn and Quinn they’ll be there to carry their load. Sing it, Artie!

No. 19: Endless Love
Things kicked off with a Rachel-Mr. Schue duet of “Endless Love” (originally performed by Diana Ross and Lionel Richie). It was meant to inspire the other glee clubbers to find a ballad that gets in touch with their emotions and, in this case, it worked too well. “When I’m singing with him, it’s like I’m seeing him for the first time,” Rachel revealed in a voiceover. “And he’s super, super cute!” But this Spanish teacher is no stranger to schoolgirl stalkers: a former student, the aptly named Susie Pepper, downed the world’s hottest pepper when Mr. Schue told her to find someone her own age. She was left in a medically induced coma for days. Freaky!

No. 18: I’ll Stand By You
Meanwhile, Finn was freaking out about fatherhood with Kurt, who encouraged the hunky football player to channel his baby-daddy woes into song; The Pretender’s “I’ll Stand By You,” in particular. But when Finn’s mom caught him singing “Won’t let nobody hurt you…” to a sonogram, the secret’s out. Best part of all this? Kurt used the ballad project as a way to get closer to his crush: Finn.

No. 17 Don’t Stand So Close to Me/Young Girl
Looking for advice on how to handle Rachel’s obvious crush, Mr. Schuester turned to Miss Pillsbury. The guidance counselor sagely advised Will to use song to get his point across, and so he turned to a classic teacher/stalker ballad: The Police’s “Don’t Stand So Close to Me,” mashed up with Gary Puckett and the Union Gap’s “Young Girl.” Only problem is, this lesson didn’t go exactly as planned.

Off the Charts: You’re Having My Baby
This week we’re introduced to Quinn’s parents: boozy, Glenn Beck-loving conservatives; the perfect couple. But when Finn sprung a dinnertime ballad on the family, that façade cracked. It could’ve had something to do with Finn’s choice of song. It left no doubt that Quinn’s been harboring a little secret, and Mr. Fabray wasn’t supportive of this new development: he gave his daughter 30 minutes to pack her things and get out of the house.

Which ballads would you have liked to see on last night’s Glee?

Interview with Bridget Regan, “Legend of the Seeker”

November 16th, 2009 by Rebecca Harper Editor

Fans of Legend of the Seeker know her as Kahlan the Confessor, a powerful woman who can make anyone she touches tell the truth — but in exchange, they lose their free will and are compelled to obey her for as long as they live. And while the fantasy action series has been Bridget Regan’s breakout role, the 27-year-old actress has appeared in everything from The Black Donnellys to last year’s Sex and the City movie. (Regan played a hostess.)

We recently spoke to Regan when she was visiting New York to promote the Season 2 premiere of Legend of the Seeker. She’d flown in all the way from New Zealand, where she’d just finished shooting episode 10, and she was kind enough to speak to us about her co-star — “He does have abs of steel, that Craig Horner” — and their relationship, but the actress also told us about a brief encounter she had with a Hulu fan: “During the hiatus, I was in New York and this guy stopped me to say, ‘You’re the chick in the water on Hulu,’” she said. “I guess there was some picture of me smiling in the water on your home page. It was so cool, I was like ‘Yeah, that’s me! I’m the chick in the water on Hulu, sure!’” Keep reading to see what else Regan shared with the Hulu team. — Rebecca Harper (), Editor

Hulu: Before Legend of the Seeker, you were on a lot of dramas: The Black Donnellys, Six Degrees, New Amsterdam … What drew you to this fantasy role, which must have been a bit of a departure?
Bridget Regan:
Oh, it was totally a departure. I actually knew nothing about fantasy. I hadn’t seen Lord of the Rings, and I didn’t really know what I was getting into. I just really liked the part. I liked Kahlan. I liked who she was, and I liked that it was really different than anything I had ever done. I liked that she was really tough and a total badass, but that she was really feminine and cared, was really passionate about what she did and what she was fighting for. I loved it. I liked that it also wasn’t casual. I grew up doing theater — I went to drama school — and there’s something really theatrical about this show. It’s heightened, and not “oh, let’s just play it casual, whatever…” sort of acting. It’s heightened and high stakes and life and death. I love it.

What’s it like playing such a strong female role? I can’t think of many others like yours on TV right now.
No, there aren’t! And that’s why I love it so much. I would audition for roles, and casting directors would be like “Oh, we love her, but she reads just a bit too mature.” It was like I couldn’t find my place often — I mean, I got lucky and got to do all the great New York shows, some pilots in L.A., some movies here and there, and a Broadway show. But I never found a part that embraced that side of me. You know, I’m not a teeny-tiny little thing. I’m 5-9; you can’t push me over — I’m solid. [Laughs] So I needed a character to play that was like that. You know, Kahlan’s tough. She’s really, really tough, and I love it because it’s empowering to play. I get to let off steam beating up grown men every other day.

The books obviously have a cult following, and a lot of them feel pretty passionately about the show. Were you taken aback by all the attention?
I mean, I knew of that section in the bookstore where the paperbacks lived — I’d passed by it, but I’d never really gone into that aisle and looked at them. I really had no idea what I was in for. I kind of surprised myself by how much I loved the books. I tore through Wizard’s First Rule and I’ve probably read it a dozen times now, because I always go back and re-read it to remind myself who she is and how I fell in love with her. I fell in love with her in that book. You know, there was no script when I auditioned, there were just the books. Craig and I auditioned with scenes pulled verbatim, dialogue from the books. I was a bit scared going into it — “Oh gosh, what am I in for, what am I doing?” — but it was kind of a good scary. It was scary and exciting, and I thought I should do this, take the plunge. It’s actually turned out to be really, really cool, and I’m proud that I did it, because it wasn’t an easy decision to pack up my life and move.

Speaking of which, how is life in New Zealand?
It’s pretty super. It’s so different than New York — I mean, I live in a house with a yard, where I lived in an apartment the size of my closet. It was one room, and it was above a pizza place on 14th and 7th in Manhattan. You walk outside, and you’re smacked in the face with New York City. There are no trees! And now I live in this lush landscape. I’m kind of like the odd man out. There are Americans there, and there’s diversity in New Zealand, but it’s certainly not like New York, where it’s such a melting pot.

Kahlan (Bridget Regan) and Richard (Craig Horner)

Can you bring us up to speed with the show? Last time we saw Richard and Kahlan, they defeated Darken Rahl. What’s happening with the Season 2 premiere?
It’s kind of funny, I think we were all expecting a cliffhanger at the end of Season 1, and it felt like we won. We did it, and now we’re patting each other on the back. We’re celebrating for about two minutes when we’re totally attacked by this creature which is known as a “screeling.” We learn that these are from the underworld, which is kind of like hell. We learn that when we killed Darken Rahl, because he’s this powerful, magical force and Richard used all these forms of magic to kill him, it actually caused this sort of explosion and the earth opened up. Now there’s this crack that separates the world of the living from the world of the dead. These crazy creatures are coming out to get us, and then we learn it’s not just these creatures — people are actually coming back from the dead, so it’s a bit like we don’t know what to expect. We don’t know what we’re dealing with. The Keeper is out to get us. That’s where we start Season 2. Our goal is to find this tiny little Stone of Tears, which is going to help us seal the rift in the underworld. So that’s the journey in Season 2, to find this stone.

The show is full of lots of action. Do you do a lot of your own stunts?
I do nearly everything! Sometimes they won’t let me jump off a horse or roll down a hill because they’re scared I’m going to break something, but I do all my fights. My stuntwoman, Dayna Chiplin, she choreographs them now, which is great because she wears the dress and she knows what it’s like to move in that thing. We have a ball together, I absolutely adore her. [During fight scenes], they shoot facing me and sometimes from behind, but they also shoot Dayna when they cover the “baddies” as they call them. When you see the back of me, odds are it’s Dayna.

Have you had any mishaps on the set?
Oh, there are so many mishaps. I went to the emergency room last year when I accidentally punched a shield during a fight. Everybody thought I broke my finger, but I kept going “It’s fine, it’s fine, let’s keep going, let’s shoot.” But they said, “Nope, you’re going to the emergency room.” And I was right! It wasn’t broken; they were just being wussy with me.

And what’s it like working with your co-star, Craig Horner, who plays Richard?
I adore working with Craig. We got so lucky that we like each other as much as we do, and that we have a connection. We don’t have to work at the connection between Richard and Kahlan. It’s just kind of there. When I look at him, the ground comes in underneath me, and I just feel “Yup, he’s Richard and yup, I’m Kahlan.” You just kind of play like you’re little kids in the background and you believe. I think you kind of need that sort of thing in a fantasy show. You kind of need that playful, childlike attitude towards it. He’s totally got that — he’s such a little kid at heart. And he’s the best movie quoter I’ve ever known. He’s so good. You give him any movie, and he could just go verbatim on and on and on. Get him to do Fight Club or Home Alone — he loves Home Alone.

The onscreen chemistry between you and Craig has caused a lot of people to wonder whether you’re dating. Can you define your relationship for us?
Craig and I are very close. We’re very good friends, and we’ve had a wonderful relationship over the year and half, but it’s just been that.

I just had to ask… On that note, thanks for talking to us, Bridget, and I hope we get to do it again soon.
And thanks for supporting us on Hulu, we love it!

Last comment: Nov 22nd 2009 10 Comments

Friendly Rivals: Steve Martin vs. Alec Baldwin

November 12th, 2009 by Rebecca Harper Editor

For years, Steve Martin and Alec Baldwin have had a friendly rivalry as members of the Platinum Club, an exclusive group of Saturday Night Live regulars who have held hosting duties on NBC’s late night sketch comedy show at least a dozen times. The running joke? Every time Baldwin is about to tie Martin for the most number of SNL appearances, the “wild and crazy guy” — that’s Martin — attempts to thwart the 30 Rock star at every turn. Current tally? Martin has hosted 15 times, while Baldwin has tallied 14 himself.

But in a surprising turn of events, the longtime rivals are joining forces to co-host the 2010 Oscars in March. “I am happy to co-host the Oscars with my enemy Alec Baldwin,” Martin said in a statement. “I don’t play the banjo but I’m thrilled to be hosting the Oscars – it’s the opportunity of a lifetime,” Baldwin added, referring to Martin’s current gig, touring with a bluegrass band. To mark this new truce, the Hulu team looked back at some classic Martin-Baldwin appearances on SNL. — Rebecca Harper (), Editor

Baldwin Gets Mugged
In this sketch from Season 31, Steve Martin’s on a hot date with a married woman (Kelly Ripa), and things appear to be going well — until she mentions that Alec Baldwin is about to tie him for the most times hosting Saturday Night Live, that is. Cue a hasty departure from the restaurant as Martin rushes to Studio 8H to secure his position as the king of late night.

Martin Asks for a Raise
The same night, Martin approaches executive producer Lorne Michaels in hopes of getting a raise. After all, the paycheck for hosting duties is still $5,000, the same as it was when Martin delivered his first monologue in 1976. When Michaels refuses, Martin threatens to walk off the stage, but the SNL honcho has the ultimate bargaining chip: Alec Baldwin.

Going Platinum
In this bit from Season 32, we’re treated to a look at the Platinum Lounge backstage at Studio 8H, when host Alec Baldwin tries to give cast member Mya Rudolph a tour. Strangely enough, Baldwin’s frenemy, Steve Martin, is hanging out in the lounge, too, and offers to Baldwin a drink. Look for a pair of surprise cameos (sad as one of them may be) as the two catch up over a glass of Scotch, and Martin reveals his nefarious side.

A Baldwin Classic
In “Platinum Lounge” (above), Baldwin references an older sketch that he’ll never live down. A riff on a talk radio show, it features Baldwin as baker Pete Schweddy, a guest on NPR’s “Delicious Dish.” He’s there to talk about his Christmas goodies — everything from zucchini break to fruitcake — but one specialty is his best. They’re delicate and tender, but bigger than you might expect.

Steve Martin and Alec Baldwin have a long history with Saturday Night Live. Which of their characters have been your favorites?

Glee Music Recap: “Wheels” Worth the Wait?

November 12th, 2009 by Rebecca Harper Editor

We had to wait three weeks for the latest episode of Glee, so the question is — was “Wheels” worth the wait? We saw a kinder, gentler side of the usually merciless Sue (courtesy of some cheerleader tryouts); plus the glee-ks got a taste of life Artie-style when Mr. Schuester forced the singers to spend three hours a day in wheelchairs. On the pregnancy front, an expecting Quinn laid down the lawn with Finn, telling him he needed to pay up if he’s going to be a father; meanwhile, the true baby-daddy, Puck, came up with a get-rich-quick scheme to prove that he’s the responsible one and help the entire glee club get to sectionals on the same bus. And finally, there was a diva-off when Kurt set his sights on taking the lead — from Rachel, no less — with a rendition of “Defying Gravity” from the Broadway musical “Wicked.” But enough of the plot, here are the winning numbers from last night’s Glee. — Rebecca Harper (), Editor

“Dancing With Myself”
When we think of the 1981 Billy Idol hit “Dancing with Myself,” we don’t think acoustic guitar. (Fun fact: Billy Idol originally released this song as a member of the band Generation X; he went on to hit the jackpot when he released a pop version as a solo artist.) But wheelchair-bound Artie sang us a sensitive version as he rolled through the halls of McKinley High and cast wistful eyes at stuttering Tina in the cafeteria.

“Defying Gravity”
Mr. Schue got Kurt’s attention when he told the club the had to go a more traditional route and sing “Defying Gravity” from Wicked. After all, Kurt has an iPod playlist dedicated exclusively to songs from the Broadway show. But coach had Rachel in mind — and good thing, because it’s her go-to shower song and ringtone — and wouldn’t budge until Kurt’s dad got involved, claiming his son was being discriminated against because of his gender. The only way to settle things? A diva-off, where Kurt and Rachel sang for the rest of the club. Whomever hit the High F and won their fellow glee-ks’ votes would get the lead. Listening to this clip, it’s clear one of them threw the competition.

“Proud Mary”
This one’s for Artie: the grand “Proud Mary” finale made full use of the wheelchairs Mr. Schue picked up for a song (pun intended) at the St. Ignatius thrift store. The glee-ks bopped and rolled across the stage in an upbeat rendition of the Creedence Clearwater Revival/Tina Turner classic, giving due respect to their “handicapable” friend.

See the full episode here and tell us what you think: did “Wheels” deliver? Which musical number was your favorite?

Last comment: Nov 12th 2009 1 Comment