• TV
  • Movies
  • More TV. On more devices.
Search
RSS
Get this RSS feed

Movie Review: “City Island”

March 3rd, 2010 by Jordan Bonitatis Content Operations

City Island was the most refreshing film I’ve seen in a great long time. I say this as a film lover and, also, as an Italian-American. It’s the story of the Rizzos, a family that has been lying to each other for far too long, and their “house of cards” is on the brink of collapse. Imagine The Royal Tenenbaums as a working-class family living in the Bronx.

Their deceptions range from the minor — quitting smoking, hidden hobbies — to tectonic (think paternity ). I was already two-thirds of the way into the movie when I realized I had been watching a story with all the trappings of a classic Greek tragedy. The narrative moves at a clip, and the weight of the tragic elements are buoyed with great acting punctuated with brilliant comic timing. The overall gravity of the story isn’t compromised by the comedy, but rather just more realized from it — after all, there is nothing worse than a film screaming at you about how meaningful something is. Writer/director Raymond De Felitta lets the story progress organically, trusting his audience and trusting his actors. If I had any confidence in the Academy Awards, I’d expect major awards for Andy Garcia and Julianna Margulies. They embody their characters so well, I began wondering if Andy Garcia’s natural speaking voice was closer to that of Vince Rizzo and he’s just polished it up a bit for his other roles.

City Island is a great an example of a film that serves an important function in the culture of Italian-Americans, as well. Yes, this film is about a dysfunctional family. Yes, they speak with heavy dialects, but we’re invited to laugh with the Rizzos, not at them. Popular television shows (I’m looking at you Jersey Shore) create one-dimensional, hyper-stereotyped caricatures of Italian-Americans that function as some kind of societal catharsis for homogenized America. City Island, on the hand, creates a family with such depth and realism that their ethnic background, though apparent, is an afterthought.

Catch City Island in theaters March 19.

Jordan Bonitatis
Hulu’s Trailer Guy

Last comment: about 10 hours ago 3 Comments

The Great Zombie Debate

February 25th, 2010 by Jordan Bonitatis Content Operations

Anyone who is a fan of zombie films will appreciate The Crazies, a retelling of the 1973 George Romero classic, but those who are not connoisseurs of the culture of the undead, like me, will have plenty to enjoy as well. A simple story with a skillful director and a talented cast separates The Crazies as a decidedly legitimate piece of cinema.

The film does an excellent job of boiling down the subgenre to its most basic elements: escalating outbreak, dwindling band of survivors, hordes of psychos, and an anxiety about who might be infected. It starts off at a full gallop and simply doesn’t quit until the end credits. The episodic nature of a horror film, if not done well, just leaves an audience fatigued and ready for the end. Director Breck Eisner did a good job of pacing the “boo” events while moving the plot. The casting was simply perfect; each actor embodies the tried-and-true archetypes perfectly. The strength of the cast was more than capable of anchoring the narrative as one about people and relationships thrown into a horrifying circumstance rather than the opposite — a terrible situation that just so happens to have these folks involved — which ends up crippling most other horror films.

The real standout star of The Crazies, however, has got to be cinematographer Maxime Alexandre. While zombie films are often synonymous with “B-films,” Alexandre transcends that barrier by filming The Crazies with the sweeping beauty of an epic western and the well-lit terror that reminds me of Kubrick’s The Shining.

After watching the film, a handful of us in the attendance chatted up zombie conventions a bit more and I realized that it is not as simplistic as I had thought. Rather, people feel quite passionately about what defines a zombie — and a zombie movie. For instance, does a zombie need to shuffle, or can it run? Are zombies limited to the living dead, or could a zombie be a creature infected with a mind-altering virus? And finally, should zombies be handicapped from rigor mortis or bigger, stronger, faster? Share your thoughts on the great zombie debate in the comments below.

The Crazies shuffles its way to theaters February 26th.

Jordan Bonitatis
Hulu’s Trailer Guru

Last comment: Feb 21st 2012 1 Comment