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Second-Guessing

November 30th, 2011 by Rachel Stuhler

We all have our own way of doing things, it’s just a fact of life. We look at the way other people cook, or talk, or make a business deal and think, “my way is better.” But when it comes to parenting, “my way is better” can be truly detrimental to your relationship with your partner.

On last week’s Up All Night, Regan (Christina Applegate) finds herself with an unexpected week off, and Little Miss Overachiever discovers that the only way she can relax is rearranging everything stay-at-home-Dad Chris (Will Arnett) has well established in the house. She has a “better” way of folding socks, organizing the junk drawer, and even arranging the furniture. Regan thinks she’s helping, but all she’s really doing is telling Chris that his way is the wrong way.

When I first got engaged to my husband, my sister-in-law told me that while she avoids giving advice, she did have one piece of wisdom she was forever grateful had been instilled in her. When you have kids, don’t hen-peck your husband, gritting your teeth every time he holds the baby wrong or changes the diaper crooked. When we do that, it just sends a signal to the other parent that they shouldn’t bother or that they’re contribution isn’t appreciated. It’s not how we intend it to be taken, but think of how we would feel if the situation were reversed.

Let’s face the fact that there are very few truly wrong ways. Your husband isn’t going to hold the baby upside down by her foot. He isn’t going to teach her how to juggle knives at three. If he folds the socks in a way you don’t love, does it really matter? After all, they’re just socks. And your relationship is worth a whole lot more than tense arguments over laundry.

Last comment: Jan 26th 2012 1 Comment

Meet the Mongrels – Britain’s Most Irreverent Puppets

November 28th, 2011 by Ben Collins Assistant Editor

Have you ever wondered what your childhood would be like if every character you admired and loved on TV wore bling and talked about how awesome divorce is?

No. Of course not. That would be horrible. Who would do that? Probably a terrible person.

But now we’re on that topic. So think about it.

Doesn’t that sort of sound like an awesome TV show?

Well, “Mongrels” is a show that fits somewhere between “The Muppets” and “Family Guy” and “Sesame Street”; That is, if everyone on “Sesame Street” were Oscar the Grouch, was British with an accent, and repeatedly taught you swear words you’ve never heard before. Oh yeah – and did I mention the stars of “Mongrels” are puppets?

This bunch of well-loved British puppets are exclusive to Hulu and Hulu Plus today, and we’re kicking off the series with the first 3 episodes.

It’s exactly that horrible hypothetical I described at the beginning of this post; the tone of the show is perfectly exemplified by the first five minutes of the pilot which features a Bruce Springsteen-esque song about divorce—here’s just a few lines from the lyrics: “I just wish I was dead,” and “What about all our DVDs?”

This is sung by a puppet in a leather jacket on a motorcycle.

Set in an alley behind a bar in London, the Mongrels live a raunchy lifestyle – they are these loose dogs who have intense domestic fights about not going out on the weekend. They get addicted to catnip. They intermingle with birds who sell it.

Most characters accidentally look like Rizzo the Rat, but without the pizza. You know Rizzo the Rat. Here he is on Muppetpedia. Same facial situation going on with these characters—same heartfelt charm—except sometimes Mongrels wear the same questionable fashion and jewelry as the people in the background of the clubs on episodes of Jersey Shore.

There are Mongrels so sexy that Shaggy’s “Mr. Bombastic” song plays in the background every time they talk. There’s another one that “looks like a heron David Gray.”

I’m probably obliged to mention “Avenue Q” in here. It’s like “Avenue Q,” yep, but with consistent resolution. You get that picking-up-fresh-laundry, warming-of-the-heart feeling about one time an episode – yes, these puppets charmed me, and I’m sure they will win you over as well. It’s a nice addition to a show so wonderfully devoid of morals.

But you’re mostly just going to laugh.

Last comment: about 8 hours ago 2 Comments

Needing a Break

November 23rd, 2011 by Rachel Stuhler

Getting a babysitter is always a touchy subject with parents. Some are completely fine with letting a non-family member tend to the child within the first few weeks, while others can’t fathom leaving their child for years. When discussing a few hours of daycare each week, a friend of mine recently told me, “my children didn’t leave my side until they were old enough to tell me if something had gone wrong.” I was left to ask, what age is that? Three? Five? Twelve?

On Up All Night‘s episode “Hiring and Firing,” Chris (Will Arnett) struggles with needing some time on his own. Baby Amy doesn’t give him those sweet little “I missed you, Dad” faces because, well, he’s never away long enough to miss. Not to mention, he’s been cooped up in the house so long that he’s starting to imagine his eight month old is plotting against him.

So Reagan’s (Christina Applegate) answer – the right answer, in my opinion – is to find a regular babysitter. Someone who can give Chris a brief respite every few days, long enough to play his beloved hockey or run a few errands. It’s a great idea, except that suspicious Chris thinks everyone is out to hurt his precious child. This leads him to veto scores of babysitting contenders, and causes him to alienate a perfectly lovely young woman by searching the contents of her purse. She was listening to the Grateful Dead, after all, which is a clear sign of bad behavior.

This moment in time is a struggle for every parent. We want to continue to exist as individuals outside of our home lives, but doing so brings on bouts of fear and guilt. The key is knowing that a needing a break now and again is not the same as having your child raised in a boarding school in Switzerland. It’s just a few hours, and then you’ll be back to doting. If we adapt, so do our kids. And our marriages will be a whole lot healthier if “baby” isn’t the only topic, purpose, and activity in our days.

Conquests in Cannibalism: The Best Flesh-Eating Vampires & Zombies on Hulu

November 18th, 2011 by Naivasha D

It’s time to accept that human beings are becoming a principle food source for a growing percentage of the TV character population. The nation’s eternal vampire and zombie obsession, coupled with the recent rash of fairy-tale inspired shows, means that we now have a limitless spread of televised people-gobbling. Let’s ignore what this says about the health of our collective consciousness and dive right into meeting our most popular predators.

Vampires

Vampires are the cool kids of the human-consuming crowd. All that TV has taught us definitively about the undead is that they feast on human blood and are, as a rule, extremely sexy. After that, it gets deliciously complicated. Our fascination with vampires, although back with a vengeance, is nothing new – who could forget Buffy and her pinched-face friends?

Whether paired with other creepy creatures in “True Blood,” hiding out in the suburbs in “The Gates,” or sparkling their way into our hearts in the “Twilight” series, these attractive ancients appear to have entertainment by the throat. Now that The CW is on Hulu, we’ve also been watching “The Vampire Diaries,” where the vampires vacillate between regularly gutting each other with pointy sticks and worrying about what to wear to the homecoming dance.

We’re not the only nation swept up in the craze – Japan’s “Vampire Knight” has been sucking in anime fans since 2005.

And if all the small-screen blood sucking doesn’t satiate you, never fear – “Breaking Dawn” is in theaters now.

Werewolves

Werewolves, with some help from JK Rowling and Stephanie Meyer, have recently emerged as front-runners in the televised people-eating arena. Although they are often seen riding the pop-culture coattails of their bloodthirsty vampire brethren, they are no less ravenous for man meat. The “Harry Potter” and “Twilight” series presented a softer side to the creatures, and “Teen Wolf” fed off of the Team Jacob frenzy, but the original malevolent werewolf is still getting airtime. “Grimm’s” pilot puts the moon-struck species in the spotlight when a werewolf-like creature or “blutbad,” tries to fatten up an abducted girl for his feasting pleasure. Not all blutbads are wicked in “Grimm’s” monster-infested version of Portland – our good detective meets one that is willing to help, and, like any good Pacific Northwesterner, share a beer.

Zombies

Beloved for generations, zombies usually appeal to exactly the opposite kind of people who are into vampires (having their flesh fall off in chunks as they walk detracts from their sex appeal). These foul-smelling fiends are even hungrier for humans, although they are usually partial to brains over blood. In fact, they are probably portrayed as the most single-minded and determined feasters on our flesh, and crawled back into theaters everywhere with 2004’s “Shaun of the Dead” and 2009’s “Zombieland.”

Zombies are usually found dragging their decaying feet across the big screen, but that changed with 2010’s popular post-apocalyptic TV saga “The Walking Dead.” This ghastly gore-fest borrows from the Romero school of slow-moving, bite-happy zombie (think “Night of The Living Dead.”)

The lesser-known but equally gruesome “Zombie Roadkill” puts a campy, comedic spin on the genre.

This list far from exhausts the supply of popular people-eaters that are taking over primetime. In shows like “Supernatural,” not even our souls are safe from consumption. For many of our small screen denizens, we are what’s for dinner.

Last comment: Jan 25th 2012 3 Comments

Episodic Drinking: 5 Game-Changing Cocktails for 5 Game-Changing Shows

November 17th, 2011 by Brooke Citron

In accordance to Hulu’s high-calorie, wildly-indulgent, and holiday-happy Food Week—and because we are all unapologetic gluttons for food, alcohol, and punishment—we felt it would be recklessly imprudent of us to neglect one of the most illustrious and rewarding culinary garnitures of the holiday season: alcohol. And high quality alcohol at that. Because here at Hulu, we are obsessed with quality.  We dedicate as much fervor, passion, and obsessive attention-to-detail to our drinks as we do to our product. You won’t find us settling for any run-of-the-mill, watered-down, redundant cocktail recipes this holiday season. And you certainly won’t find us drinking without style, panache or purpose. So in order to accomplish this, we caught up with a fellow perfectionist, quality-obsessed musician-turned-mixologist extraordinaire, Brian Summers, to help us concoct the perfect holiday-pleasing-potions for all social occasions.

Brian’s impressive knack for creating one-of-a-kind cocktails, as well as his high-profile status as a bartender/mixologist at LA’s very own Harvard & Stone (and runner-up of LA’s Best Bartender competition), assures us that we’re in good hands. Coincidentally (and to our sheer delight) Brian just so happens to share yet another unyielding obsession with us: good TV. So we asked him to come up with a handful of brand-spanking new recipes (just out of the plastic) to honor his favorite TV shows, characters, and moments. Good booze + good entertainment = great buzz.  This is one classic recipe that will never get old.—Brooke Citron

5 Game-Changing Cocktails for 5 Game-Changing Shows

#1: “Assistant (to the) Regional Manager”

In honor of:  The Office

Ingredients: Hickory smoked vodka, beet juice, fresh lime juice, black peppercorn syrup.

The elevator pitch: A smokey, spiced beet cocktail for the beet farmer himself, Mr. Dwight Shrute

#2:  “Faster Than The Speed of Love”

In honor of: Family Guy

Ingredients: Glenfiddich 12 year single malt whisky, Amaro Nonino, dry vermouth, pear eau de vie, stirred, up.

The elevator pitch: Based on the Family Guy episode when Stewie and Brian were locked in a bank vault, and drank an entire bottle of The Glenfiddich 12, I wanted to find away to combine this with his well documented love of Martinis.

#3: “ Hiesenburg”

In honor of: Breaking Bad

Ingredients: White Rum, lime, Maraska Marichino, Crème de Peche, homemade candied Crème de Violette candy rim

The elevator pitch: I figured the chemist/methlord would appreciate some molecular gastronomy so I made rock candy with crème de viollete, to resemble his blue crystal meth.

#4:  “Dexter’s Cup”

In honor of: Dexter

Ingredients: Gin, lemon, orgeat, served on the rocks with a couple dashes of Peychaud’s bitters on the top

The elevator pitch: For the blood spatter analyst, I have made a gin cocktail that is bright white in color with a few bleeding, bright red dashes of Peychaud’s bitters over the top.

#5:  “I’m Chuck Bass”

In honor of: Gossip Girl

Ingredients: Balvenie 21 year Portwood, Antica Carpano sweet vermouth, vintage port, stirred, up.

The elevator pitch: For the socialite, and well documented single malt enthusiast, I have prepared a classic stir cocktail with The Balvenie 21 Portwood.