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The Top Ten Scream Queens of All Time

October 24th, 2011 by Hulu Blog

Watching slasher flicks is pretty sociopathic when you think about it: 90 minutes of watching our fellow man get hacked apart by the Freddy Kruegers, Jason Voorheeses or Jigsaws of the world? What is wrong with us? Sure, it can be cathartic to laugh through the inevitability of death (especially when someone’s being chased by someone wielding a machete), but one of the reasons we keep watching horror films is that we enjoy seeing characters survive, wondering how we might fare in similar situations should we find ourselves the attention of a flashy, homicidal maniac. So in honor of all the survivors (and the many more who weren’t so lucky), we’ve compiled a list of our favorite Scream Queens of the silver screen.—Martin Moakler

10) Anna Faris, Scary Movie

Blonde or brunette, cheeky or innocent, flat-chested or pneumatically-enhanced—it can be uniformly agreed upon that this slasher-happy bubble-gum horror-hussy turned comedic chameleon has emerged as one of the single-foremost iconic tongue-in-cheek parody actors of our generation. Hitting the thriller-griller scene in 2000’s Scary Movie as an unknown, Anna has swiftly and by no means gently grabbed the “thrill-ody” film genre by the balls and helped to catapult it to the forefront of mainstream pop culture (all the while beating us over the heads with her incessant-yet-endearing low-pitched horse-cackle that is reminiscent of an old man’s tar-infused lungs grasping for a last breath of air).  Having slung-shot her way to undeniable stardom via 4 spoof-tastic performances in each of the Wayans brothers’ Scary Movie installments (playing up the shameless ridiculousness of her painfully-yet-irresistibly naïve Cindy Campbell), Anna has topped the list at #10 as one of our favorite scream queens of all time.  Plus she’s a hottie with a mean pair of lungs, two “must-haves” on the long list of prerequisites for placement on this highly-scrutinized list of honor.—Brooke Citron

9) Sissy Spacek, Carrie
An untraditional Scream Queen, Sissy Spacek’s Carrie White didn’t have to worry about escaped psych ward denizens, reanimated corpses, or a lonely man with a mommy complex. Her Big Bad was far more quotidian: her abusive mother and the local mean girls who teased her relentlessly. Carrie’s screams were more psychic than vocal, but while those who abused her may have taken her voice, they couldn’t silence her rage. Sissy Spacek was nominated for an Oscar for the role, a feat most Scream Queens can’t boast.—Andrea Marker

8) Jennifer Love-Hewitt, I Know What You Did Last Summer

Remember in the ’90s when getting stalked on summer break by a mysterious man you did not know was the sexiest thing imaginable? That’s all on Jennifer Love-Hewitt. Know what else is all on Jennifer Love-Hewitt? The fact that Ben was the de facto murderer nickname in 1997. Really, guys? You couldn’t have named him Steve or something?—Ben Collins

7) Naomi Watts, Funny Games

I’m not positive what it’s like to be murdered by two teenagers wielding bats and golf clubs who just killed your dog and stuffed him in the trunk of your Jeep, but I’m pretty sure I’d act almost exactly how Naomi Watts did when that happened to her. There’s the immediate terror, the unbridled fear, then the development of a plan, then the failure of that plan, then the harrowing fight for the murder weapons, then the clinging to survival, then the part where you don’t even care if you make it out alive or not. The movie is merciless and almost impossible to watch alone. That’s the only thing keeping Naomi Watts away from no. 1 on this list. Nobody out-acts Naomi Watts in a horror movie. —Ben Collins

6) Kim Novak, Vertigo

Novak as Madeleine Elster in Hitchcock’s “Vertigo” was gorgeous, mysterious, aloof, and slightly deranged a precursor to the modern-day manic pixie dream girl. Her transformation from the icy blonde to plain Judy Barton and her willingness to give in to Scottie’s Madeleine obsession frightened us in more of a subtle, unsettling way. Scottie’s descent into madness culminates when he grabs her at the bell tower and demands, “Go up the stairs, JUDY,” and Novak¹s dizzying distress is so palpable we would¹ve given anything to be eating a steak dinner at Ernie’s instead.—Sheila Dichoso

5) Neve Campbell, Scream

Neve Campbell was arguably the top Scream Queen of the ’90s, but she was definitely the go-to heartthrob of most middle school boys. Myself included, by the way, and it started when she exploded onto the horror scene with Wes Craven’s horror masterpiece “Scream.”

After a bunch of terrible relationships on “Party of Five,” Neve stayed on the scene with the Scream franchise until it came to a screeching halt in 2000 with “Scream 3″. But Campbell and “Scream” returned to top form in this year’s “Scream 4″. A badass from start to finish in this franchise, she showed audiences that Scream Queens don’t always have to be the pretty damsel in distress.—Gabe Pasillas

4) Shelly Duvall, The Shining

It only took one film, The Shining, to christen Duvall as one of the most memorable scream queens in celluloid history. Whether it was gripping a baseball bat or frantically flailing a knife around, no one can forget the wide eyes, shrieks and cries of Wendy Torrance. Duvall succeeded in making us feel as helpless and claustrophobic as she did at the Overlook Hotel. But some would say that isn¹t so hard if Jack Nicholson chased you around with an ax.—SD

3) Janet Leigh, Psycho

Psycho is not technically a slasher film, so Janet Leigh is in another league from the Scream Queen. But since her murder scene basically inspired the genre, she can definitely be considered the Scream Queen Mum. Slasher flicks are morality tales for the modern day, and even fifty years ago Hitchcock knew that dramatic characters had to pay the ultimate price for their crimes. Leigh’s Marion Crane had the moral turpitude to sleep with man before marriage (remember: this was the Eisenhower administration). Oh, and she stole $40,000 from an obnoxious rancher. But even though she decided to turn herself in, Norman Bates’ “mother” had other plans for her…stabby plans. Her resulting screams became one of the most iconic scenes in cinematic history, so for Crane’s death, we are truly thankful…and still afraid to take a shower! –Martin Moakler

2) Linda Blair, The Exorcist

As an impressionable, 11-year-old Christian-educated girl, the first time I witnessed the pea-green projectile vomit, self-effacing cross-stabbing, and 360 degree head-turning abomination that is The Exorcist, I nearly wet my pants (take or leave the “nearly”). In fact, I didn’t sleep for 3 straight months (which probably explains why I’m a good 2 inches shorter than doctors had predicted for me – those months being an important prepubescent time period of bone-growth).  Never, in my 11 wisdom-filled years on this earth had anyone (teachers, parents, friends, janitors) prepared me for the abhorrence, repugnance, and sheer utter horror that ensued after bearing witness to what can only properly be categorized as my Vietnam.  This hair-raising pop culture phenomenon has procured an inarguably massive impact on the modern ‘horror’ genre as we know it. Named the scariest movie of all time by Entertainment Weekly and Movies.com and by viewers of AMC in 2006,  as well as listed as #3 on Bravo’s 100 Scariest Movie Moments, the film was selected in 2010 to be preserved by the Library of Congress as part of its National Film Registry. Needless to say, this film has earned its stripes. How? Because Linda Blair pulled off the single most immortalizing [horror film] performance of her generation. Don’t believe me? Can you name even one other movie that Linda Blair has been in? Case in point. The classic icon-status paradox: an actress masters her role to such an unparalleled degree of eerie authenticity – that no director would dare cast her again for fear of audiences’ pre-existing associations. That, and projectile vomit. That stuff is a pain to get out of linens. Less polarizing yet equally scream-tastic demon-occupied predecessors have included the likes of Jennifer Carpenter (The Exorcism of Emily Rose), Natasha Lyonne (Scary Movie 2), and Anthony Hopkins (The Rite), but none have come close to the humbling denigration of innocence and crippling vilification of Linda Blair’s corrupted ingenue. Our hat’s off to Linda’s truly unbeatable (and audience-beating) performance.—Brooke Citron

1) Jamie Lee Curtis, Halloween

Since her mother Janet Leigh sort of inspired the slasher genre, it’s fitting that Jamie Lee Curtis’ performance as Laurie Strode in Halloween became the genre’s archetype upon which future Scream Queens would be based: the virginal babysitter. The suburbs used to be regarded as pretty safe, but its idyllic streets became trails of terror when Laurie caught the eye of an escaped mental patient in a painted William Shatner mask who turned out to be her brother (the psycho; not the mask). Through her chastity, strength and fierce dedication to keep her wards safe (which had to be only a buck an hour back then), she managed to evade her murderer when the bloody pile of corpses that used to be her friends did not, and our bloodlust for slasher flicks was born. Face it. We like being scared, and Jamie Lee helped us realize that. For that, we’ve dubbed her an Empress among Scream Queens.—MM

Last comment: Jan 24th 2012 3 Comments

Huluween Week

October 24th, 2011 by Hulu Blog

“It’s alive! Oh, that fellow at Radioshack said I was mad. But who’s mad now?”

–Mr. Burns, The Simpsons’ Treehouse of Horror II.

It’s that time of year again: Someone very close to you, previously innocent in your brain, is going to dress up like a sexy werewolf and it’s going to ruin your entire holiday season.

Yep, it’s Halloween. And the only two ways to cleanse the memory of your sexy middle-aged Teen Wolf friend is that jug of leftover 100 Grand bars and great horror movies and TV shows. The first part is a natural process. It comes around 10 p.m. on October 31st.

We can help with the second part.

We’ll be showing you a bunch of great Halloween stuff—videos, top ten lists, a first person account of being murdered in a movie—that will scare your scantily-clad friend right into a repressed memory.—Ben Collins

MONDAY:

TUESDAY:
WEDNESDAY:
THURSDAY:
  • • Sure, the heroine triumphed over the psycho killer in the slasher flick, but what about the unlucky ones who didn’t survive? Former horror movie victim Martin Moakler offers his thoughts on their plight.

FRIDAY:

Making Sacrifices

October 23rd, 2011 by Rebecca Harper Editor

In the series premiere of ABC’s “Once Upon a Time,” newlyweds Snow White and Prince Charming make the ultimate sacrifice for their daughter: They place their own lives at risk in order to save the baby from the Evil Queen. (She has a vendetta against the fairest one of all — and her one true love — and vows to reign terror on their fairy tale lives.)

While Snow White and her Prince resort to an enchanted wardrobe to protect their little one, the scenario left us thinking about the many sacrifices parents make for their young ones. How has being a mom changed how you think about yourself, and what sacrifices have you made? Tell us about them in the comments!

Last comment: Jan 25th 2012 1 Comment

Friday Five: The Five Best Videos on Hulu This Week

October 21st, 2011 by Hulu Blog

5) The Daily Show’s John Oliver welcomes you to Zazzistan, formerly known as Libya.

4) There’s an entire National Geographic Special about snakes that fly. It’s called “Snakes That Fly.”

3) This “Revenge” scene includes the meanest things ever said to another person while smiling.

2) The best part of this video isn’t the fact that they almost strip-searched someone at a Scrabble tournament—it’s this anchor’s dedication to Soleil Moon Frye.

1) SNL encapsulates every Lifetime movie ever made into one, five-minute game show.

Last comment: Oct 24th 2011 1 Comment

Book It: 9 Books We Want Adapted to TV Shows Now

October 21st, 2011 by Hulu Blog

As we approach the end of October, we’ve reached that inevitable stage in the Fall Premiere Season: Cancellation time. As awesome as the networks told us shows like The Playboy Club and Charlie’s Angels were going to be, those programs each got one behind the ear and are now buried somewhere in the desert outside Vegas. Now, don’t go feeling bad for the actors now out of a job, like Eddie Cibrian—he always bounces back. But won’t someone please think of the studio execs who have to scramble around and find replacement shows or, at least, clone Melissa McCarthy for a show on their network?

Don’t despair! We’ve found a place where ready-made stories are begging to be turned into the next hit TV franchise: Books!

The Great Gatsby

Forget about the much ballyhooed Baz Luhrman remake of the Fitzgerald novel, this Prohibition Era-classic needs to be brought to the CW. The Gossip Girl of its day, who wouldn’t want to see gorgeous, carefree flappers and tortured, wealthy, World War I vets party in lavish New York apartments and Long Island mansions, where they would find love scored with the hottest hits of the Jazz Age. And, of course, they could show off all their toys, whether it be a brand new Model T, or the latest phone…one with a rotary dial! –Martin Moakler

Great Expectations

A reality show, hosted by an aging grande dame in a faded wedding dress, wherein young titans of industry can fight to win the affections of the girls who spurned them in junior high only to have the girls shoot them down again…but there’s a twist! We just haven’t figured out what that twist is yet. –MM

1984

The Eighties are huge right now, and we know that people enjoy watching the encroachment of their rights and civil liberties by a faceless government telling them what to do, but with fun fashions and that great music that defined the decade! Don’t you forget about who we’re currently at war with! –MM

The Sandman by Neil Gaiman

Aside from Batman and Superman, DC Comics has struggled to adapt its various superheroes into successful film franchises.  If I were them, I’d ditch the film strategy and walk down the hall to HBO.  The Sandman is perfect for a Game of Thrones’ style adaptation: strong mythology, interesting characters, and “edgy” storylines.  They’ve already bought into the Gaiman brand with American Gods; time to sign him up for another series.–Andrea Marker

The Phantom Tollbooth by Norton Juster

I can’t think of a better book for a PBS Kids show.  The Phantom Tollbooth creates a world that’s both fun and educational without tipping off the reader that they’re actually eating their literary vegetables.  It doesn’t matter if you love English but hate math as a kid (or vice versa), The Phantom Tollbooth teaches you to find the joy in both.  I’d love to spend more time in an animated version of the Kingdom of Wisdom, punning with the residents of Dictionopolis and Digitopolis.  Just keep it more Chuck Jones and less Shrek please.—AM

The Catcher in the Rye

Shia LaBeouf is a disaffected child walking around the larger cities of America picking fights with shirtless people and doing that thing where he has someone hold him back while he yells “let me at ‘em!” so he doesn’t actually have to fight anybody.

Actually, sorry, that appears to be Shia LaBeouf’s actual life.—Ben Collins

The Hunger Games by Susan Collins

Paris Hilton spends 52 consecutive minutes watching people eat sandwiches from the kitchen of a Panera Bread.—BC

The Rules of Attraction by Bret Easton Ellis

Yes, it was a subpar 2002 film starring James Van Der Beek, but it only sucked because Easton Ellis’ story about Ivy League kids living an endless bacchanalia in the Reagan Era was made for television. Cheesy 80s music galore, like Tears for Fears “Everybody Wants to Rule the World” juxtaposed with, say, Lauren using a tampon case to snort lines of coke off her Economics textbook is nothing but a guilty pleasure. This is the college we can only live through TV (or else we’d be dead).—Sheila Dichoso

American Vampire by Scott Snyder

I know, I know. Vampires may have overstayed their welcome in pop culture-ville, but even Stephen King (he wrote one of the two stories for the first graphic novel) is down with Snyder’s savagely original take on the blood-sucking mythos. These vampires are different: They can walk in the sun! Also, the narrative takes us through different decades of American culture, from 1920s Hollywood and the Wild West of the 1800s to beyond. And I’m calling it right now: Skinner Sweet is the new Eric Northman.—SD

 

Last comment: Oct 25th 2011 2 Comments