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Thought Catalog: The First Time I Took a Girl to the Movies

September 30th, 2011 by Jordan Castro

In sixth grade, one’s options for a date location are incredibly limited.  Without a driver’s license or an ID to actually get to or into anywhere, one can have his/her parent drop them off at either: a) A Restaurant, b) The Mall, or c) The Movies.  In Solon, the suburb where I grew up, The Movies was most popular.

The first time I went on a “real date,” that is, hung out with another girl outside of home or school, I was 11 years old.  My date was 16.  I can’t remember how we met or started talking, I remember our first date like it was just yesterday.  The movie time was established through a series of AOL Instant Messenger and text messages.  Her buddy profile, in large pink font, read “Age ain’t nothin’ but a number,” which, in retrospect, seems incredibly strange, especially for a 16 year old, but when one is going through puberty most everything can be overlooked or ignored in the name of a potential make-out session.

Due to the unconventional nature of our relationship – five years is a considerable difference when you’re that young – I didn’t, couldn’t, tell anyone besides a few close friends, who’d never been on dates before.  Everything I knew about going to the movies with a girl was based on my relatively small experience with watching TV.

On the way to the theater, I ignored my mom’s irrelevant-seeming questions about what time the movie would be over and how much money I would need, as scenes from Drake and Josh, Boy Meets World, 7th Heaven, and other Disney/Nickelodeon shows flashed through my mind.  Would I pay for her popcorn?  Put my arm around her?  How?  Pretend to stretch?  Everything felt new and exciting to me as we pulled into the parking lot a half hour early – I made sure to get there before my date so she didn’t see my mom and my mom didn’t see her – and I got out of my mom’s minivan with a twenty in my pocket and a young, nervous energy in my chest.

I met my date in the lobby where we stood together speaking shyly about nothing and grinning at each other awkwardly, like two puppies staring at an unattended plate of human food, practically salivating.  The good thing about TV shows and movies, especially in situations like that, is that it takes a lot of the pressure off of actually having to do or say anything interesting.  One simply shows up, does his/her best to look/smell/feel good and lets the screen take care of the entertainment aspect of the date, while s/he waits for The Right Moment to go in for the kiss.  I, however, was too stupid to realize that Any Moment is The Right Moment – even during Coach Carter – when you’re young and on a date, because that’s what young people do on dates: they half-watch whatever’s on and make out as much as possible.

The movie ended and the lights brightened.  The credits rolled.  Our hands, which were clasped tightly in one another’s for nearly the entire duration of the movie, were beginning to sweat.  Her fingers lightly trace the outline of mine.  I looked at her face.  “Do you…want to make out?” I said stupidly.  “In the future,” she said, “you’re not supposed to ask; you’re just supposed to do it.”  She leaned over the armrest and we made out until the credits were over and the theater was empty and the house lights came on.

Friday Five: Hulu’s Best Videos of the Week

September 30th, 2011 by Hulu Blog

5) Ellen’s friends hate autocorrect, maybe enough to rival DamnYouAutoCorrect.com.

 

4) SNL’s Top Gun 25th Anniversary Edition DVD extras.

 

3) Maya Rudolph and The Lonely Island’s Jorma Taccone get all mathematical about their love on “Up All Night.”

 

2) Joseph Gordon-Levitt is a little bit too good at sounding like Axl Rose while singing a Kelly Clarkson song.

 

1) Chris Meloni is Tony Bologna in The Daily Show’s “The Vigilogna.”

 

Wild Cards:

- Jimmy Kimmel asks: “Is Dr. Oz Out of Ideas?

- Bill O’Reilly talks $16 muffins with Jon Stewart.

- Who’s the one person that could scare Libertarian bureaucrat Parks & Rec’s Ron Swanson (Nick Offerman) into submission? Patricia Clarkson, of course.

- The best trailer we saw all week: OKA!

My First Time: Getting a Kick

September 29th, 2011 by Jessica Kim Founder and CEO, BabbaCo

“Was that a foot? Or just gas?”

Some call it butterflies. Others call it gas. To me, it felt like a little alien was growing inside of me. I clearly remember the first time I felt the kick. It was as if a little person was knocking hello from the inside of my belly. I loved it. And I’m not the only one who loved it. It ended up becoming a whole family experience.

When I saw the Season 4 premiere episode of “Parenthood,” I was reminded of this special moment as pregnant mom Kristina (Monica Potter) felt her baby’s first kick, and everyone in the room swarmed around her. There was something extra special to see the other kids in the family taking part of this special feeling.

When I was pregnant with my son, Grant, my daughter was about 2-and-a-half years old. After reading bedtime stories each night, we would listen to music while she put her hand on my belly. Together, we would feel the little monkey moves of baby Grant. She would say, “Baby brother is dancing, mommy! Whoa … that was a big one.” It’s something she remembers to this day and it’s one of my favorite family bonding moments — and it happened even before Grant was born.

What was your first baby kick like? Did your baby have a nickname when he or she was still moving around in there? Did you like or dislike having others put their hands on your tummy to feel the kicks? Just like all things with parenting, I love how we’re all so different in our experiences. Can’t wait to hear about yours!

Last comment: Jan 18th 2012 1 Comment

Criterion’s Deep End: My First Battle with ‘Seven Samurai’

September 29th, 2011 by James Goux

Battles raged over days, weeks even. Masses of armies in garish colors clashed over white snow-fallen Japanese landscapes. Hundreds, thousands of men were considered as single units, flowing over hills into invading territories and blindly forcing attrition with no consideration for the blood that was shed or the bodies left behind. I snapped to, realizing that all of Japan was covered in gory red, signaling my victory. The game was over.

This wasn’t reality, and wasn’t even a movie, but a childish game played in a seventh grade history class. In it, my various classmates and I struggled for control of a map of Japan, split into dozens of true historical city-states representative of Feudal Japan. We started with 5 pushpins per person and one territory to our name, then expanded our control by gaining armies for answering questions correctly in class as well as good strategy within the game. It was a variation of the board game Risk, but performed on a scale in which pride could be earned across an entire classroom, not just a handful of friends. And to the best of my memory, I won this game, but could only wish that the rest of my middle school experience was just as triumphant. It wasn’t, but as most who get past the middle and high school years know, things get better.

It wasn’t until college that I first saw Akira Kurosawa’s film Seven Samurai, my first true Criterion Collection experience. Even now I remember recalling that that was the first time I understood what all those thumbtacks were truly supposed to represent.

Only, there was a huge difference. The metaphorical scale of the game I had played was epic and grandiose, calculations in my head have me imagining thousands upon thousands of soldiers across wide empty plains and marching through hidden  forests, rivaling the number of trees in the wooded groves, but faceless amongst the crowds. Seven Samurai isn’t like that. While the film could be rightly called an epic—spanning a generous three and a half hours and telling a truly elaborate tale—the scale is actually pleasingly small when you step back.

Seven Samurai isn’t about armies at all, but about characters and people.

Considering the number of characters it has to develop, the film does so admirably. There’s not only the seven central samurai themselves, but also at least 4 important villagers as well. The enemies remain primarily anonymous, but considering our perspective in the film, this feels like the right way to go. True, many of our heroes are archetypes, and often they only have but a handful of scenes to establish and complete their arcs, but a good portion of them really are burned into my memory. Toshirô Mifune’s Kikuchiyo is one of the most fascinating tricksters I can think of on film, he acts as both the comic relief and yet still manages to pull on heart strings as the final bits of film spool out of the reel. Takashi Shimura’s Kanbê Shimada brings an equally affecting sense of nobility to the film, and I could go on and on about what marvelous characters these are to watch, and how each of them has his moment to shine.

Seven Samurai has some awesome battle scenes, but it’s moments like when Katsushirō expresses his pure admiration for Kyūzō that make those scenes matter. Then there’s the intimate nature of the battles themselves. Instead of looking at thousands of anonymous men on the battlefield—ones that just as easily could be a single red sacrificable pushpin—you know that there are just seven who can turn the tide of the battle, plus a handful of unskilled villagers.

The hours spent building up and developing the characters combined with the small number of warriors involved means that every time you see someone fall, it’s incredibly affecting. And for being so early in the development of the medium, Kurosawa has a masterful bag of tricks to pull from. On my most recent viewing, I was impressed by a shot in which Kurosawa took a moment, in the final breath leading up to the clashing of swords in a battle to give us the perspective shot of a single villager hiding behind a few pieces of wood, contrasting his shrouded view with dozens of horse hooves and running feet pouring into the town he calls home.

It’s just a moment—and just as soon the battle montages we know and love from the rest of the climax of the film interrupt it—but it’s a strong example of how even amongst the grand action this movie is really about character.

It’s no wonder that even though victory is had in battle, Kanbê still states coldly that the samurai are not the winners. Because when all is over, the samurai were still strangers in the village—without family, without a home, and without someone to love. The strategy won the day, but as people experiencing the human condition, they did not. And perhaps, looking back, my victory on the battlefield of the flimsy piece of paper taped to the wall of my history classroom was just as cold. I can’t remember a single friend that was made for the experience, or even a friendly interaction. To get to victory I must have torn down many a peer, removing them from the game. While I probably believed some pride would be won from the triumph, I doubt anyone who played this game would have any memory of doing it without reading these musings.  I alone remember.

And it’s alone that I remember watching Seven Samurai for the first time, alone that I watched my first Criterion film, and alone that I’ve watched each Criterion entry since. It seems that’s how I prefer experiencing these films, in a dark room, enveloped in the way that the characters on grainy film, which appears so distant from the world as we know it, can somehow capture how life is. They’re most affecting that way, and as the credits roll, I usually feel noticeably different than when the movie began. Luckily, after it’s ended, I can press stop, turn on the lights, and go back to the world as I know it and the friends that make it bright.

Check out Seven Samurai, a Criterion Collection staple, here.

Last comment: about 13 hours ago 4 Comments

Thought Catalog: My Fictitious First Dates with Everybody on TV

September 29th, 2011 by Stephanie Georgopulos

My first date with Seth Cohen of The O.C.

My first date with Seth will have been a long time coming. We were obviously friends beforehand, you know? Bringing our families together for Chrismukkah, grabbing black and white milkshakes after a show at the Baitshop, sleeping in tents at the mall for no discernible reason when suddenly, it hits us – we should give this thing the ole’ college try! (Not Brown, though. Any college but Brown. Sensitive subject. Don’t bring it up.)

On our first date, I’ll surprise Seth at the Baitshop during his shift. I’ll watch him awkwardly struggle to carry some empty milk crates from one side of the room to the other. Upon noticing me, he’ll gush an emphatic, “Hey!” clumsily dropping the milk crates to the ground in the process. “Hey,” I’ll reply, “made you a mixtape.” “Awesome,” he’ll say, grabbing the mixtape, which is actually a CD, from my hand. He examines the tracklist, which I’ve handwritten. “Boyz II Men. Very nice,” and I’ll know he means it. Unlike some men, Seth Cohen knows how to appreciate a mixtape. He’ll bend down and kiss my forehead, because Seth Cohen is tall and that’s what tall, curly-haired boyfriends in graphic tees do. He’ll bail on work because he doesn’t actually need a job, and he’ll drive us to the poolhouse in his mom’s car. We’ll play Tony Hawk’s Pro-Skater 3 for at least seven hours. I will be impressed by his Gymnast Plant-to-McTwist.

Date Score: 7/10

My first date with Jack Shephard of LOST

I will meet Jack online. “I know you live across the country, but I’d be happy to fly over there and take you out.” It seems a little ridiculous – what kind of guy would fly from LA to New York for one date? Still, I oblige – he is a surgeon after all, know what I mean?

I’ll be pleased by Jack’s five o’clock shadow and the way his whiskey-soaked words tumble out of his mouth. I’ll see his mania as refreshing; he’s not the buttoned-up doctor I expected him to be. “It was a six hour flight,” I’ll think, “Of course he had a drink or seven.”

After exchanging pleasantries, the conversation will devolve into a barrage of one-sided aircraft trivia. “Did you know they make airplane food more flavorful because your taste buds don’t work as well at high altitudes?” No, Jack. I didn’t. Please do bore me with more of this fascinating minutia. I am on the edge of my seat.

At the end of the night, we’ll hop in a cab together. “Coming up?” I’ll ask politely while hoping the answer is no. “I’ve gotta get to the airport, actually. Got a flight to catch!” No kidding.

Date Score: 2/10

My first date with Dan Humphrey of Gossip Girl

Dan and I will meet on Twitter. I’ll tweet, “Hey @DanHumphrey, loved your Vanity Fair article. Nice job :)” to get the ball rolling and like clockwork, I’ll receive an email minutes later. “@DanHumphrey (Dan Humphrey) is now following you on Twitter.” Sweet, I’ll think. I’ll then craft a simple, leading direct message: Have a piece I need help with. Show you mine if you show me yours.

Thus begins our email correspondence. In the midst of responding to email #47, he’ll write, “Some of your edits… they just aren’t making sense to me. Hey, tell you what. Why don’t we meet up and just… hash all of this out in person?”

We’ll agree to meet at a bar, because we both live in Williamsburg and god knows you’re not finding a table for two at any coffee shop past 10 a.m. “It’s so refreshing to meet up with someone without having to cross a bridge,” he’ll confide. “Tell me about it,” I’ll agree, though in truth I haven’t crossed a bridge since April.

Ten beers and several trips to the jukebox later, we close our tab and Dan insists on paying. “Why, Dan Humphrey – is this a date?” He looks down at me. “Do you… want it to be a date?” “I’m still deciding,” I tell him, “Let’s get something to eat until I’ve made up my mind.” I’ve already decided, of course. What I’m actually doing now is concocting a believable ‘woe-is-me’ monologue to deliver while we await our appetizers. Appealing to Dan’s protective, must-save-the-day nature is imperative if I want to score a second date or potentially, a bond-building pregnancy scare. As we walk arm and arm to dinner, I can practically taste dessert.

Date Score: 9/10

My first date with Dexter Morgan of Dexter

I’ll meet Dexter when he spots me getting mugged in an alleyway. “HEY,” he’ll grunt, “get away from her!” Dexter will then choke the perpetrator from behind while I watch in horror and amusement as he brings the thief to his knees. “You’re uh… you’re gonna kill him!” I smirk.

Once my mugger is unconscious (or dead), Dexter holds out a gloved hand and beckons me to take hold – “C’mon, we gotta get out of here.” “Wait, shouldn’t we… call the police or something?” His black, gloved fingers wave at me with urgency. “I am the police. Miami Metro Homicide. Let’s go.” A cop, I think, that’s sort of intriguing, maybe.

I grab his leather hand. “Why are you wearing gloves?” I mean, it’s summertime in Miami. Attention whore much?

“I was gardening.” A vigilante cop who gardens. Jackpot.

Dexter takes me to a diner, where we both drink hot tea despite the fact that it’s 84 degrees outside. “You really should be more careful,” he tells me. “I know,” I reply, “It’s just… I have nowhere to go.” My condo is being renovated. The conversation pauses for an uncomfortable minute. “I have a place you can stay, for a few days. Just until you get back on your feet. You can’t just wander the streets,” his expression turns from one of worry to one of smug satisfaction, “there are some real… monsters out there.”

“Tell me about it. Have you met my ex?” We laugh. “Well, it’s getting late. Let’s get going.”

Thirteen evergreen air fresheners hang from his rearview mirror. “It smells like mint and death in here,” I’ll remark. “Um, yeah. Just try to ignore it. I ate McDonald’s in here earlier.” I look him in the eye. “I relate.” He places a gloved hand on my lap as we drive off into the Miami sunrise.

Date Score: 5/10