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Live Stream Event: Country Stars Come Together for Flood Relief

May 25th, 2010 by Rebecca Harper Editor

Tonight, some of country music’s biggest superstars will come together and pick up their guitars to benefit the Community Foundation of Middle Tennessee and its relief efforts to aid those impacted by the Nashville-area flood earlier this month. Thousands of homes suffered damage due to the cresting floodwaters, and even that mecca of country music, the Grand Ole Opry was affected.

To help raise relief funds, Vince Gill, Brad Paisley, Ricky Skaggs and Steve Wariner will appear live tonight from the historic Ryman Auditorium — and you can watch their performances, including their group guitar jam, live on Hulu. We’ll be offering a live stream of the session, which starts at 9 p.m. EDT/6 p.m. PDT. You can access the live stream from the “Featured Content” section of the Hulu homepage, or tune in here on the Hulu Blog from the live stream player embedded below. If you prefer to embed the stream on your own blog, simply grab the embed code and paste it onto your site.

Hope you enjoy the show,
Rebecca Harper ()
Editor

Last comment: Jan 21st 2012 4 Comments

First Look: A New Season of “Vanguard”

May 20th, 2010 by Rebecca Harper Editor

A new season of Current TV’s Vanguard starts next week, but you can get a sneak peek at the upcoming season starting today here on Hulu. First up: Correspondent Mariana van Zeller traveled to Uganda to report on proposed anti-gay legislation that would put homosexuals in jail for life, a bill that has ties to the evangelical movement here in America. Just after receiving a Peabody Award for her coverage of the prescription drug trade in South Florida (“The OxyContin Express“), van Zeller spoke to Hulu about her newest report,”Missionaries of Hate,” and her interview with her former boss, Laura Ling, the journalist who was imprisoned (along with producer Euna Lee) in North Korea last summer. Our Q&A follows. — Rebecca Harper (), Editor

What brought you to Uganda for this story?
When I first heard about this story, there was a small clip in the newspaper about this really harsh anti-gay legislation that had been introduced in Uganda. It would basically put gays in prison for life or, in some cases, [they could be given the] death sentence. Immediately, I thought this would be a story that would fit with Vanguard and one that I would be very interested in covering. It was a small clip, and the story wasn’t being widely reported. Shortly after this, I heard a radio interview where Terry Gross from NPR was interviewing Jeff Sharlet, who had just written a book [The Family] and had been doing some reporting about how American evangelicals had some sort of influence on this bill. That was when we decided this was a very important story for us to do, and we really wanted to dig deep and investigate how far this influence had gotten, and how much influence American evangelicals actually had on this bill. A month later, we were on a plane to Uganda.

We actually got there at a very important time in this bill. [We had access to] the backers of this bill, including the creator of the bill and the face of it, this Ugandan evangelical, a pastor called Pastor Ssempa. They were both together with all the other backers of the bill, really going out there and campaigning. It was sort of their last effort to try to make this bill pass, and they were actually getting a lot of people on their side. We followed them around for almost 10 days, and they had church rallies and mass protests. Every single venue that we attended with them was always packed. The most surprising thing for us was that it wasn’t just … you know when you go to church congregations in the West, and the majority of people are usually older people? Well in the church congregations and venues and rallies that we attended with them in Uganda, the majority of the congregation is actually young people, young people who are actually very supportive of the bill and had very anti-gay stances.

Well, in the episode, I noticed that Pastor Ssempa has a way of speaking that engages his audience — you can’t help but watch and listen.
He’s incredibly charismatic, and in speaking to some of these young people, it is incredible how much they admire him and how much they believe every word he says. So if Pastor Ssempa is saying to kids that homosexuality is evil and God will punish every single homosexual — and it’s their duty as a good Christian to go after these homosexuals — well, that’s what they do. That’s what sort of scary about this campaign.

When you were in Uganda, your tour guide, Long John, was gay. How did you find him? Was he an activist who had been outed in the newspaper?
As soon as we got to Uganda, one of our main goals was to sort of get to know what life is like for gays in Uganda. We had seen some news articles about this legislation here in the West, but there was rarely anything about what life is actually like for gay people in Uganda. So we went and met first with some gay rights organizations and sort of through talking to them, got to know this guy known as “Long John.” He’s not an activist himself, but he’s a person who’s been affected on several levels. He’s lost his job, he’s been threatened physically several times. Right after we left, he had to move to another house because his neighbors and the landlord didn’t want him there. He’s been put in jail for being gay. This unfortunately is not the exception; this is the rule for people who are openly gay in Uganda.

Can you tell us about this proposed bill and its implications for gays in Uganda?
It’s already illegal to be gay in Uganda. What this bill does is, it makes being gay in Uganda even more difficult. If you are gay in Uganda, you can get a life sentence — be put in prison for life — or in some cases, such as repeat offenders, you can suffer the death penalty. Another thing that this bill does is, if you know that somebody is homosexual, it is mandatory for you to tell the authorities, even if it’s your son or your mother. And if you don’t, you yourself can be put in jail for up to four years.

It makes everybody sort of be looking over each other’s shoulder. It separates families, because if you’re a homosexual and want to tell your family, your parents, you know you’re putting them at risk. If this bill passed, you’d put them at risk of ending up in jail themselves. The last thing you want to do is go and put them in jail.

And this bill hasn’t passed yet, right?
Yeah, it hasn’t passed yet. Recently there was a committee that came out of the Ugandan parliament that put out a strong recommendation for the bill not to pass. However, the bill isn’t entirely dead yet, and many people in the gay rights community are hoping that the bill will die as a result of the international pressure that has been put on the Ugandan president for the bill not to pass. But speaking to some of the supporters of the bill, they think that it will pass sooner or later; it’s just a matter of time. They still strongly believe that it will pass. This is an election year in Uganda, and over 90 percent of Ugandans are against homosexuality, so Pastor Ssempa himself told us that if the president were to not pass this bill, he could suffer politically. The president is sort of stuck between a rock and a hard place. On one hand, if he doesn’t pass the bill, he could lose a lot of internal support; if he does pass the bill, he could lose a lot of international aid, and Uganda is heavily dependent on international aid.

If it did pass, where would homosexuals in Uganda, people like Long John, end up?
The majority of gay people that we spoke to told us that, if the bill were to pass, they would be forced out of their country. For them, it wasn’t at all an easy decision. Uganda is their country; they have their whole family, their friends, their jobs, their lives in Uganda. For them to think that they might have to leave because they may be put in prison for life or even killed if they stayed, it is extremely painful. It wasn’t something they said easily. There aren’t a lot of places for them to go because, unfortunately, this wave of anti-gay sentiment is going across all of Africa. It’s not as if they can pop over to Malawi, where just yesterday news came out that this same-sex couple was sentenced to 14 years in jail because they held a symbolic marriage.

Not only are the backers of this bill, such as Pastor Ssempa and David Bahati, the creator of the bill, extremely proud that their country is being seen as this anti-gay symbol in the world, but they were extremely hopeful that the other countries around Uganda in Africa would follow their example. In fact, they said that they’d been receiving numerous calls from politicians from all over Africa who were trying to emulate this bill, and that is a very scary scenario.

Can you tell us about the influence of outsiders on this bill, specifically the presence of American evangelicals like Scott Lively?
Basically, when you ask where the idea of this bill started, the majority of the gay community in Uganda will point to this conference that happened in March 2009, where three American evangelicals traveled to Uganda and were headliners at this conference. They spoke at length about how the gay agenda is evil, and how gays are out there to recruit children into homosexuality. Shortly after, just a few months after this conference, this anti-gay bill was drafted. The gay rights community sees an important link between these two. In fact, they say that before these American evangelicals came to Uganda, the language such as “the recruitment of children” and “the gay agenda” didn’t even exist in Uganda. Now, if you go to any of these Pastor Ssempa rallies or you hear David Bahati speak, this is all they’ll say. They’ll tell you that “we have to pass this bill because our children are at risk. They are trying to recruit our children to become homosexuals.” The language is actually scarily similar.

A few weeks after we came back, we finally got an interview with Scott Lively and we asked him what he thought of this bill. It surprised us that he knew there was a bill being drafted when he went to Uganda. The sense we got from him was that, if he were to draft the bill himself, he would not include the death penalty. He thinks they might have gone too far, but as he says himself, “what is the lesser of two evils: to have a bill that is overly harsh, or to have this sort of gay agenda that is being pushed down the throats of these Africans from the West?” We’ll let him answer that.

In this report, you mention that Ugandans would spend $50 on a ticket to see the white Christian evangelicals talk — and that’s more than most of them would make in a month. What do you think is the draw?
We actually asked the exact question to a gay rights activist, Pepe, who’s also profiled in the piece. The way she put it was, “We so admire the people in the United States. America means everything to us, we try to emulate America all the time. So to have an American evangelical come to our country and tell us how we should feel or think about homosexuals, it is obvious that we are going to follow that. It’s obvious that the majority of people are going to accept that as the truth and the fact.” It seems that, in many ways, that’s what happened.

What about AIDS, is there a perception of AIDS and homosexuality being linked in Uganda, hence the backlash?
Uganda was actually one of the most progressive countries when it came to the fight against AIDS. For many years, while the rate of AIDS growth in other countries was actually increasing, it was actually decreasing in Uganda. That was mainly because of the ABC — Abstinence, Be faithful and Condom — program that they really implemented in Uganda. It had enormous success. However, with President Bush and the PEPFAR [President's Emergency Plan for AIDS Relief] program, which poured millions of dollars into Uganda, it put focus on the abstinence side of the ABC. Instead of telling people to use condoms, it was telling people not to have sex. Many people believed it had a negative impact on AIDS in the country and they think that, in coming years, AIDS is already growing and will start growing even more. Of course, if this bill is introduced, anyone working in AIDS in Uganda will say this could have a devastating impact [in the fight against] AIDS in the country. People won’t want to come out or tell their doctors or family that they’re having sex with other men. Doctors can end up in jail if they decide to run an AIDS test on someone they suspect is gay and don’t report them to the police first. This is going to put more people in the closet.

Do you know how many gays there are in Uganda?
No, it’s obviously so hard to know. I actually asked a gay Ugandan if he thought there were more Ugandans who out of the closet or in the closet. He said that those who stay in the closets far, far outnumber those who come out. Coming out of the closet in Uganda is like committing suicide — it’s suicidal, he said, those were his words. They get shunned by their family, they get made fun of by everyone around them, and in some cases, they get put in prison, they lose their jobs and their homes, and get physically abused.

Your work has taken you to some dangerous locales. While you weren’t escorted by young men carrying automatic rifles this time, did you have any interesting encounters on this assignment?
I was four-and-a-half months pregnant when I was traveling there, and as soon as I told Pastor Ssempa and a few others that I was pregnant, they held my belly and started preaching for my baby not to be homosexual. It happened three times with three different pastors. I couldn’t do anything — it was just before I was about to interview them, and obviously I wanted them to speak openly to me about this bill. It was such a crazy experience.

From the start, we wanted to get this perspective of what it’s like to be gay in Uganda. We wanted to really go in deep and spend time with gays in Uganda. Through Long John and a couple of others, we were able to do that. What really surprised us was that even with everything that has happened to them and all the threats they have to endure, and the possibility of this law passing, they are so courageous. They thought it was so important for them to this story, to raise awareness for what is happening in their country that they were willing to speak to us knowing that there could be repercussions. They thought it was so important to put it out there. That was really surprising; we thought it would be more difficult.

Let’s talk about your Peabody Award for “The OxyContin Express.” When did you find out and how?
Oh, it’s a great story. My dad was in town, visiting. Darren [Foster], my husband and producer, who also won the award, found out and couldn’t get a hold of me. He called my dad, but I wasn’t actually with my dad at that time. So my dad got the news and five minutes later, when I arrived, I looked at my dad and he was crying. He said “I have some amazing some news,” and I said “What’s wrong, dad? Why are you crying?” And he said “You won a Peabody.” Hearing the news that I won the Peabody, which obviously is the dream of anyone in TV, but hearing it from my dad’s mouth and knowing how proud he was, it was amazing. The ceremony was held this Monday. It was incredible, just being in the presence of some of the female journalists that I’ve admired my whole life, like Diane Sawyer and Lyse Doucet from the BBC. Just being in the presence of these monsters in journalism, being in the same room and going up there to receive the award was an incredible honor.

The Vanguard special featuring Laura Ling aired last night. Can you tell us about the interview, which covers her experiences while she were imprisoned in North Korea?
You know, Laura was my boss for four years, was my colleague and is my dear, dear friend. To be able to sit down and interview her about the hardest time in her life was an incredible opportunity for me. What I think we got was a very personal story from Laura about what happened while she was there. My part of it was just a sit-down interview with Laura that took us everywhere from why she went there in the first place, what story she was reporting on, what happened on the river the day she was captured, whether she knew she was doing something illegal, and then everything that she experienced while in captivity until Bill Clinton came to rescue [her and producer Euna Lee].

You have two other stories on the way this season. What are they?
There’s “Rape on the Reservation.” One out of every three American Indian women is raped in their lifetime in the United States. It’s a crazy, staggering statistic. So we went to the Rosebud reservation in South Dakota to investigate these high rates of rape and violence against women.
The other piece is about soccer trafficking, the trafficking of African soccer players to Europe. It’s the first time that Africa is hosting the World Cup. The World Cup is the biggest sports event in the world, and we take a look at the ugly side of the sport in Africa and Europe. Always the uplifting stories, Rebecca. We always try to make people smile. [Laughs.]

Someone’s got to do it! Well, we’re looking forward to the new season. Thanks for your time, Mariana.

New episodes of Vanguard are posted each Thursday on Hulu. On Wednesday, May 26, we’ll also have the “Captive in North Korea” special, featuring journalist Laura Ling.

Last comment: about 9 hours ago 19 Comments

Pardon Our Dust

May 13th, 2010 by Eugene Wei SVP, Audience

Today we’re releasing several exciting updates to Hulu, most notably a new version of the Hulu video player. We’ve posted an overview of the new player, complete with an introductory video, here. And you can experience the changes for yourself throughout the site. Given the breadth of the changes, what I thought I’d do here on the blog is give more of a behind-the-scenes look at the thinking that went into the new releases.

Let’s start with the new Hulu player. Around the office we referred to this as Project Voltron after the ’80s animated TV series. Just as five robot lions combined to form Voltron in that show, many different components came together to make up the new Hulu player. A convergence of several forces — the availability of new technologies, lingering ideas from the product team, and user feedback — underlie this refresh of our player, but the primary motivation remained the same as always: elevate the experience of watching videos on Hulu.

Project Voltron

Adaptive Bitrate Streaming
The new player is written in ActionScript 3, and among other things, that enabled us to launch adaptive bitrate streaming. Previously, we could downshift the bitrate of our video stream if we detected the user experiencing video playback issues for reasons like diminished internet bandwidth. With adaptive bitrate streaming, we can now shift video bitrates and resolution up and down continually to match the user’s bandwidth. In the hierarchy of video playback issues, we believe frame rate inconsistency or video stuttering is more disruptive to users than a decrease in resolution, and adaptive bitrate streaming is designed for that prioritization.

Adaptive Bitrate Streaming

You can turn on adaptive bitrate streaming in our new video settings menu in the player. That menu also allows you to force the player to stream at a fixed resolution of 480p, 360p, or 288p, but we recommend that you select adaptive bitrate streaming. When it’s on, you can rest easy knowing Hulu is offering you the smoothest playback at the highest resolution possible for your bandwidth.

video_settings

Ad Volume Normalization
Another feature that will improve the viewing experience on Hulu is one you can’t see, but will hear, instead: ad volume normalization. There’s a widespread myth that broadcasters and even Hulu would boost commercial audio levels, but it’s just that, a myth. In the past, we tried to normalize ad volume to content volume globally, but that wasn’t a perfect fix because content comes to Hulu with differing audio levels, and you can only raise the audio levels so much before you’re simply magnifying background noise. In particular, many masters for older titles have really low audio levels, and producing new masters is often impossible or prohibitively expensive.

Our new ad volume normalization feature handles volume adjustments on the fly. As our player approaches an ad break, it begins analyzing the audio level of the content. When the ad is called, the player compares the content’s most recent audio levels with a precomputed audio value for the ad and brings them into line dynamically.

Ad Volume Normalization

Closed Captioning Display
For closed captions, we’ve added two new display options in addition to our original white text display, so now you can also choose yellow text, or white text on a solid black background. Each of the new options should improve the visibility of captions for most scenarios.

Closed Caption Display

Seek Preview
When you hover your mouse cursor on our new player timeline, we now display a preview thumbnail of that spot in the video. This should vastly improve the accuracy of seeking around in a video. Since seeking past an ad break can trigger an advertisement before the video resumes playing, we wanted to do as much as possible to ensure our users get to the exact moment they’re searching for on the first try.

Seek Hover Preview

Heat Map
If you don’t have an exact moment in mind but are curious to discover particular moments of interest within a full episode or full-length movie, we’ve now ported the heat map from our captions tab to the drop-down pane below the player. Captions and the heat map never had any intrinsic relationship, and this move allows us to display the heat map on all long-form videos, even those without captions.

Heat Map

The width of the heat map aligns to the width of the new timeline exactly. The heights of the bars in the heat map indicate the relative popularity of various sections of that video. Hover over any bar and the corresponding preview thumbnail will appear above the video timeline. Click on any bar to jump to that place in the video. The heat map in conjunction with the visual timeline adds another powerful tool to the viewer’s seek toolbox.

A Bigger, Sleeker Player
That’s a look under the hood of the new player. We’ve also refreshed the design. For starters, we wanted to increase the size of our base in-browser player. We no longer scale the 480p video down. At its native resolution of 720 x 404px, our new video player is 25 percent larger in viewing area than our previous player.

New Size

The default view of the player is now chromeless, meaning it’s clear of any controls, which gives it a cleaner look. The old Hulu player had a timeline visible at all times, but the new player displays the timeline only on mouseover and keeps the timeline height and width fixed.

Clean Window

The fullscreen button has shifted to the lower right of the player. The new location is also consistent across all the different incarnations of our player: regular, fullscreen, pop-out, embed, and off-Hulu (i.e. on our distribution partner sites like Yahoo). Many web video players have the fullscreen button there, and this control is used frequently enough that adhering to this unofficial standard location seemed prudent.

We’ve also renamed continuous play “autoplay” and have shifted the controls into the player itself. Previously those controls sat outside the player in a continuous play bar, but this feature generates enough usage to have earned a permanent integration into our player controls. At the same time, we’ve reduced the autoplay control footprint by replacing the “next video” button with the more universal icon for skip and by moving the autoplay playlist selector into a pop-over menu.

Integrated Controls

In the old player, we had a left and right column outside the player that held additional controls like pop-out or embed. These have all moved to the right of the player now. Since the player itself is bigger, menus for options like embedding or sharing videos have grown in size also. Rather than add more options with the additional real estate, we’ve left the controls largely the same as it lends a more airy, spacious feel.

You can still customize the start and end points of the video you share, as well as select a custom thumbnail for any video you wish to embed. With the increased timeline width in those menus, it’s easier to do so with precision. The one new option is the ability to select between two sizes of video player to embed.

We made a few other subtle design updates. When you pause a video, the buffer indicator is now at the top, and we now display the current video resolution to its left. In pause mode we used to display a large play icon in the center of the video player as a cue. We’ve shrunk that button, and after a few seconds of inactivity, it now fades out completely and only returns on mouseover. Lastly, our new player will shrink the video window down when it encounters end credits, devoting more player real estate to suggest other videos to watch. We can tell from view-through data that most users aren’t interested in the end credits. But if you are, you can still restore full-size view with one click. We won’t shrink end credits if the show inserts additional content after the end credits.

An Aside on HTML5
Those are the highlights of our new player. Before we move on to the other updates to our site today, let me address a related topic that’s been in the news a lot recently: HTML5. Plenty of users and members of the press ask about this topic all the time.

When it comes to technology, our only guiding principle is to best serve the needs of all of our key customers: our viewers, our content partners who license programs to us, our advertisers, and each other. We continue to monitor developments on HTML5, but as of now it doesn’t yet meet all of our customers’ needs. Our player doesn’t just simply stream video, it must also secure the content, handle reporting for our advertisers, render the video using a high performance codec to ensure premium visual quality, communicate back with the server to determine how long to buffer and what bitrate to stream, and dozens of other things that aren’t necessarily visible to the end user. Not all video sites have these needs, but for our business these are all important and often contractual requirements.

That’s not to say these features won’t be added to HTML5 in the future (or be easier to implement). Technology is a fast-moving space and we’re constantly evaluating which tools will best allow us to fulfill our mission for as many of our customers as possible.

That’s a look at the new Hulu player. Let’s turn to advertising.

Introducing Ad Tailor
The launch of the new Hulu player today also enables us to release a new ad personalization feature which we call Ad Tailor. The goal of Ad Tailor is to increase the relevance of ads for our viewers.

Ad Tailor works in two ways. One is that we now offer the user the option to give us immediate feedback on every video ad’s relevance. In the upper right of every video ad, we ask “Is this ad relevant to you?” and offer a yes and a no button. These buttons replace our old “thumbs up” and “thumbs down” buttons on ads. The new wording is deliberate since the thumbs up and down iconology might suggest that we were interested primarily in your subjective opinion of the ad creative when what’s more critical for us is understanding whether the product or service being shown is relevant to you. We can’t alter our advertisers’ creative, but we can control which ads we show you. We’ll use your feedback to adjust which ads we show you in the future.

Ad Tailor

Ad Tailor tries to improve ad relevance in another way. Occasionally, when you’re watching a video, we’ll also serve up a single or multi-question survey in place of an advertisement. Answer any single question and we’ll return you to your video immediately, and answer any multiple question survey and we’ll reward you with some ad-free viewing. Answering these questions is always optional, and any responses given will be kept confidential.

Ad Survey

The more efficiently we can match ads up with users, the more everyone benefits. Users see more relevant ads, and advertisers reach a more targeted and receptive audience.

When we use Ad Tailor to personalize an ad we show you, you’ll see a brief visual cue at the start of the ad: in the upper right corner we’ll display “This ad brought to you by Ad Tailor.” The more feedback you provide, the more we’ll be able to personalize the selection of ads we show you.

More Customization
The last update to our site today is a refresh of our three homepages: the main Hulu homepage, the TV homepage, and the Movies homepage.

Home Page Update

One of the primary goals of the homepage refreshes was to add a new layer of personalization. If you’re signed in to Hulu, we’ll recommend shows just for you in the masthead at the top of the page. You can now change what we display in the left two columns of all three homepages through the dropdown header, and we’ll retain your preferences from session to session. We’ve added a My Videos section to each homepage that allows signed-in Hulu users to look at their queue, subscriptions and viewing history without leaving the homepage. At the bottom of all three homepages, just above the footer, we’ve added a recommendations carousel. If you’re signed in, we’ll recommend shows based on your past viewing, but if you’re not logged in, we’ll pull from a long list of our favorite shows and movies from our catalog.

Recommendations

Other changes to the layout of the homepage balance what we’ve learned from user behavior on the site and what we’re interested in helping users discover in the months to come. Like many sites, we’re constantly striking a balance between surfacing what users already like and what they don’t know they will like. With our catalog having grown to hundreds of content partners and thousands of titles, the most efficient way to do that is evolving.

Here in Los Angeles, where the weather seems to be sunny every day, it’s easy to lose track of what season it is. But we like to think of this as a spring refresh. As always, your feedback is welcome.

Happy viewing,
Eugene Wei ()
VP of Product, Hulu

Update: We have started a discussions thread for updates from our support team here.

Last comment: about 8 hours ago 305 Comments

Get to Know: “Wild Roses”

May 11th, 2010 by Rebecca Harper Editor

If you’re a fan of prime-time dramas, it’s time to give the Western series Wild Roses a try. This series, which aired for a single season in Canada, is the tale of two families who find themselves vying for a single plot of land. But of course, it’s more complicated than just that. To get a little more insight into the show — and the drama — we asked co-creator Amy Cameron and co-executive producer Jordy Randall to tell us more about Wild Roses, which made its U.S. debut here on Hulu last month. — Rebecca Harper (), Editor

Hulu: Since Wild Roses is new to Hulu and most American viewers, can you introduce the concept to us?
Amy Cameron:
Wild Roses is a one-hour drama, a Shakespearean tale of family loyalties, love, betrayal and alliances forged on two Southern Alberta cattle ranches.

Jordy Randall: [It's about] two families, the wealthy McGregors and the debt-ridden Henrys, [who] clash over land, love, and loyalty. Their stories tangle against the backdrop of boomtown Calgary, Alberta, where oil rich executives play at being cowboys and the surrounding ranchlands are in danger of being consumed by the new-West gold rush.

What led to the concept?
Cameron:
There’s the grand vision stuff: the world of oil had gone crazy, prices were through the roof, and the money that was pouring into the once traditional ranching area around Calgary was redefining the lines between rich and poor. We wanted to explore that tension between the traditional and the new, the urban landscape and the rural reality.

But basically, I wanted to write about families and sisters, in particular. Two families who were destined to fight, fall in love, and help and hinder one another.

What US shows would you compare it to, if any?
Cameron:
It’s essentially a modern Dallas. We also referred to to Brothers and Sisters and Friday Night Lights in terms of tone and handling a large cast.

Can you tell us about the McGregors and the Henrys? What’s their connection? What’s their relationship like now?
Randall:
Patriarch David McGregor rules not only his family, but McGregor Strategic, an oil exploration company, as well as Montrose, his sprawling ranchland estate that has been in his family for generations. Still it is not enough. David has set his sights on Rivercross, a small but stunning parcel of land left to the Henrys by David’s father upon his death. The Henrys are determined to hold onto their homestead, relying on their wit, passion and unwavering loyalty to the land and each other.

Cameron: [David is] smart, ruthless, stern and an excellent, if devious, businessman. He’s was an indifferent husband and is a terrible father – more interested in his son’s accomplishments in business or in rodeo than he is in their actual lives. He is closest to his daughter, Rebecca, who is made in his image.

Tell us about the Henry girls – what are they like?
Randall:
Kate is all business. She runs the ranch and thinks that everything would fall apart without her, and she’s probably right. Lucy is a free spirit who is trying to prove herself in her own right. She wants to live life to the max and feels there are alternative ways to prove her worth other than working on the family ranch. Charlotte, the youngest Henry girl, is in full rebellion mode. She’s a teenager who’s experiencing everything for the first time and making plenty of mistakes as she goes.

The show was shot on location in Calgary. Tell us about the location — the scenery is beautiful.
Cameron:
The beauty of Alberta is like another character in the show – we really wanted to highlight the gorgeous landscape and also capture the urban flash of Calgary. So many films remembered for their stunning vistas, from Brokeback Mountain to Unforgiven to Legends of the Fall, were filmed in Alberta. Truthfully, we wanted to show off a little bit.

Every TV dynasty has skeletons in the closet. Can you tease some of the family secrets that might be unveiled early on in the show?
Randall:
Let’s just say that relationships and events from the past always find a way of resurfacing.

Wild Roses wrapped after one season. If you had the opportunity to continue the show, where would the story take you?
Randall:
Without giving too much away, we would answer the many questions that arose from the finale’s cliffhanger and follow the characters as they deal with the fallout caused by those shocking events.

Dylan Neal (who played Dillon) is among the more familiar faces on the show (at least here in the US) since he’s appeared on a host of popular shows, including Smallville. Can you tell us more about the cast? What are they up to these days?
Cameron:
Michelle Harrison, who played Kate Henry, appeared in V and Supernatural.

Adam MacDonald, who played Peter McGregor, just [wrote and directed] his third short film called In The Dominican. He also had a role in Rookie Blue, a new ABC cop drama that will be aired in June 2010.

Amy Lalonde, who plays Rebecca McGregor, also had a recurring role in ABC’s Rookie Blue.

Clare Stone, who plays Charlotte Henry, just finished her final year in high school.

Thanks, Amy and Jordy, for telling us a little more about the show!

Last comment: Jan 19th 2012 1 Comment

A Bleeping Content Update: The Office (U.K.)

May 4th, 2010 by Rebecca Harper Editor

When we launched the full run of the BBC’s The Office earlier this year, keen observers noticed that the episodes — which matched those that aired on BBC America here in the States — sounded a bit different than they remembered seeing on DVD or in the U.K. It turns out that, while Ricky Gervais and his costars cursed freely in the original run of the show, the offensive words were bleeped out to suit American standards for TV broadcast. It was this version that was originally cleared for us to stream on Hulu.

But since so many of you prefer to see the series in its unedited form (we like it that way, too), we reached out to the BBC to see if we could instead offer the show just as it aired in England. We’re happy to say that they were able to oblige us, giving us clearance to stream the series in its original form, curse words and all. Big thanks to the team at the BBC and to our content team for making this happen.

Rebecca Harper ()
Editor

Last comment: about 12 hours ago 5 Comments